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Joined 9 days ago
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Cake day: August 18th, 2025

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  • As an iPhone guy, I always thought, what apps am I missing? It was mostly emulators. Then Apple allowed them, and I ask the question again.

    Oh yeah, we have Delta, why doesn’t Android have anything like that? So, in a nutshell, I can uninstall Delta right now. App gone, games gone, saves gone, it’s all gone. No longer have any trace of it on my iPhone. Go to the App Store and download it. Empty library. Got to start over, right? Wrong. Go into Settings, connect Google Drive. It’s now downloading my games, my saves, my settings. Everything back where I was. Would be so cool if it were on all the platforms, so a game started on one could be picked up and played on another. Not necessarily Android <==> iOS, but more like phone <==> computer/tablet.

    Yeah, so anyway, what can’t I get in the Play Store or the App Store that I actually want?

    I get it’s a slippery slope and future implications. I get that. I’m just not seeing the issue now.

    Also, it seems like Google has taken away all the things that would convince you not to get an iPhone. They took your headphone jack (though an Android was the first to do so). They took your microSD card slot. The tech always sucked, no one tried to make it better; past 16 or maybe 32GB the write speeds were too low to be usable. Now they’re coming for your sideloading? Honestly what is the argument for staying?


  • Yeah, I know about Telegram’s limitations. Been using it for ages, just to chat with my wife since she uses Android and I’m on an iPhone, and I don’t do social media. It was the best way for us to message back and forth and we haven’t moved off of it.

    I have Matrix, Signal, and Session as well. Nobody chats me up on them but I keep them as options because why not? My phone has 512GB. Most is music and video. Apps are nothing to me.


  • This is the future of game development. Games cost more to make, so they’re going to pass the costs on to the consumer.

    Right now games basically go for $70. There is a push for $80 and some developers are getting it (e.g. Nintendo with Mario Kart World). However, DLC will invariably push the game’s cost closer to $100. To stick with MKW, it’s not hard to see that not all the racers are in the game, who were in the last one. So the thinking there is they will probably be sold down the road for around $20 to get that game up to $100 total.

    For a lot of gamers, the extra cost isn’t that big of a deal. Gaming is still a cheap hobby, and all three console makers are seeing good numbers with their more expensive consoles. The PS5 and Xbox Series X weren’t even improved, they just had their prices jacked up 10-20%. The Switch 2 is arguably just a minor uptick from the first model (and partially a downgrade from the OLED model) but it’s something like 30-50% more? And it’s selling like hotcakes, proving that gamers can afford to pay more, and will pay more. Not enough people are willing to put their foot down and declare that enough is enough when it comes to corporate greed. And with the costs of everything going up, it’s not 100% greed driving the price increases. Developers gotta eat too.

    I liked the Rockband model. You bought the base game for like $60 (or more like $200-250, whatever it was with the drums, guitar, and mic, but those were reasonable hardware costs) and then you bought the songs you wanted for $2 apiece. With the first two, the on-disc songs were mostly great. With the third one, it was more questionable, but since you could export the previous games’ songs, it wasn’t as bad. The fourth one’s soundtrack mostly stunk, but then they gave us the ability to hide songs from certain sources, and by then we had over 150 songs from the previous 3 games (plus whatever DLC). Fun fact: Rockband is partially why console mods exist. Rockband 3 was the pilot program on Xbox 360, and to this day, you can load custom songs in it. It was never the intention to be able to do it for free, but the developers never cared that people were doing it. You could get uncensored songs, and you could get songs from other countries — there’s a whole “J-Rockband” scene of people playing Japanese music on it — that the developers were never going to chart/sell. Not only were the developers all musicians, many of whom made customs for the paid market, but they have been “caught” playing the free customs as well. (The developer, Harmonix, is now part of Epic Games and is responsible for Fortnite Festival, which is free to play, but you can’t use instrument controllers, and it’s a revolving selection of songs.)


  • IANAP but it seems like it would be trivial for a client app to do. Look at the combined vote weight (e.g. -8 + 4 = -4) and if it’s below user inputted threshold, don’t display it.

    That said, Lemmy isn’t Reddit. When I see a post with a negative score, I can sometimes see why it’s not popular, but it’s seldom straight up garbage, and I can still vote accordingly. Never used the feature on Reddit because I’ve been brigaded by entire communities for acknowledging that their favorite show’s latest season exists (it’s not Game of Thrones, but similar energy), and I don’t think people should have the right to censor others; I believe each person should have the right to choose what they see.


  • Not an online gamer, but I heard a similar sentiment from a boss about 20 years ago. He told me “if you make a mistake one time, I got your back, but we’ll speak in private and I’ll counsel you. Make the mistake again, I’ll let my pen do the talking. Make it a third time, you’re off the team.”

    It escalates quickly, but his management style helped us learn from the mistakes. Sometimes the second time happened. But everyone was willing to go to war with this guy. I mean, proverbially. This was also a guy who would bring his grill to work and cook for everyone one weekend a month. Companies that say you’re family, big red flag. A boss who walks the walk as well as talks the talk? Huge green flag.


  • What resistance? It seems to me that there is not one big organised resistance that is taking members.

    Find a local event and network but be careful about it. The US had that “no kings” thing early in the summer (or before?). That was just a bunch of people against tyranny. No real organisation to it. So you’d go to something like that and just talk to people.

    It helps if you have an anonymous way to chat. Something like Signal or Matrix or one of the others. Even Telegram would be better than using something public or corporate-backed, like SMS for the former or WhatsApp for the latter. But be careful with Telegram, read up on it, it’s not a solid recommendation but it’s better than nothing. Fortunately there are alternatives. Even if the other person isn’t tech savvy — you probably are by being on Lemmy. So, show them the way.

    Occasionally contact them through anonymous chat, just see how they’re doing, and discuss future plans.

    Also, aside from demonstrations, places where like minded people meet. For the authoritarians and conservatives, that’s church, the local BBQ spot, and other, more obvious groups. I feel like they feel they can operate more openly since the US president is one of them. Used to be, these guys wore masks and were hidden, joining them wasn’t about finding them, they’d find you, that kind of thing. Nowadays it’s all out in the open. But I think liberals and progressives have meeting places, too. In response to church, for example, you should know that The Satanic Temple is not about devil worship, they’re about resisting Christian imperialism. They’re the ones fighting churches trying to get the Ten Commandments posted in every classroom. I’m religiously neutral, so they do not interest me, but they’re certainly an option. For the anti-theist/“hard atheist,” they’re a good option.


  • Might be niche, but I was reading the manga for The Promised Neverland and said they should get Erica Mendez for the voice of Emma based on her performance as Konno Yuuki from Sword Art Online II. Lo and behold they cast her!

    Also when Fallout 3 or maybe New Vegas was the newest Fallout, I said they should add a settlement system. I said after the main story the existing settlements should face ongoing assault from raiders, ghouls, and other enemies and you should be able to shore up the walls, add turrets, hire more guards, and outfit them with better weapons and armor. A lot of people said that would be too complicated. Then Fallout 4 came out and they did just that.




  • From back then? The Lonesome Jubilee by John Cougar Mellencamp.

    These days I just use Apple Music. Costs less than Spotify, pays artists more, and doesn’t finance the alt right. (Well except for that dumb participation trophy Tim Cook gave Trump.) Anyway, I pay for music because I love music, and I neither smoke nor drink, so it’s like, my vice, I suppose. That and coffee.

    Anyway, I have access to all the music I had back then and since on the handheld Mac phone I carry in my pocket.


  • We didn’t think about the absence of things we’re didn’t have. It’s easy to look back and say “I could have gotten away with so much” but we didn’t think about it.

    Your whole life being recorded was a thing for my generation (X)… if you were rich. Rich families had video cameras and they did record all kinds of things. Birthday parties, holidays, vacations, and so on. We saw cameras. We either tried to avoid them, or tried to flip them off — so the cameras avoided us. They didn’t wanna see the poors anyway. And for the most part, they were, and mostly did their filming, in places you couldn’t go if you/your parents worked for a living.



  • Here’s what’s wild though. At first with music streaming it was largely just American, Western, popular music. I left Spotify for Apple Music because the latter had Japanese music and I was tired of sideloading it into Spotify. Now Spotify has Japanese music too.

    The Japanese music market is super weird. Anime is to Japanese music in the 2010s and 2020s what MTV was to western music in the ‘80s and ‘90s. It’s the international hit maker. So anime is bringing western eyes to all this music, not you go in YouTube and a lot of them have “YouTube edition” videos that are like half the video. Because they don’t fully trust us I guess? Sometimes the video is on Apple Music though.

    I know Japanese music is more expensive than ours. I mean like the cost of a CD. So when bands would release a Japanese album, they’d add bonus tracks to help increase the value. Western bands do it too. Look up an album you know on Wikipedia and see if there’s a Japanese version with some bonus tracks.

    I’m wondering how Apple Music and later Spotify more or less tamed the Japanese music market but TV and movies are so much harder.



  • There’s an easy solution to this. I pay for Apple Music because I get access to pretty much all the music I want. I can sideload what they don’t have, which isn’t much. They have better audio quality, and aren’t stiffing artists to pay some right wing nutjob science denier like the other streaming platform of note. I pay because I love music and want to support what I love. Why isn’t there a similar service for TV and movies? That’s the solution. Let us pay for what we love and make it easy. Apple figured it out with music. Valve figured it out with games.

    I think they don’t want to solve the problem. I think they want to solve a different problem. I think they’re making this a problem so they can push legislation to protect their profits.