They all quit, so presumably they’ll attempt to establish themselves as a new publisher. I am.very much hoping for an announcement of that soon. If Annapurna, the parent company, was trying to blend their agencies, it’ll be interesting to see if they can maintain the quality of their productions.
“…because you don’t understand sourdough”
Made me spit up my coffee.
Can’t answer as to why you would buy it again, but for me, I thought about replaying Braid recently only to discover that it was a pretty blurry mess. This looks a lot nicer, and commentary on video game design and development can be really interesting to me, especially since a lot of that is kept behind closed doors still.
Ah gotcha; that’s helpful. That’s not been my understanding of this content, so I’ll have to look into that, thanks.
You say it’s a copyright license, and I think that’s exactly where I’m struggling with this. My understanding is that this is a license for something copyrighted or otherwise protected. Copyright protects things from their creation. A copyright license provides certain people action that would otherwise be denied by copyright. So are you saying that your understanding is that what we write here on Lemmy is copyrighted, with authors holding the rights? That would be helpful to know because that has not been my understanding of copyright (and I know country plays an important role here), so that would be interesting to look into.
Oh I clicked the link, mate, and read through a couple links deep. What I’m saying is that my understanding of the license is that it allows permissions for a restricted item, but it does not restrict an item with open permissions. You know what I mean? You need to be a rights holder of something that is protected by copyright or the like, and then you can use this license to open permissions in certain ways, in this case that the item can be used for non-commercial means. So this wouldn’t work with stuff on Lemmy, right?
My understanding of the Creative Commons licenses is that they are for providing permission to people to use something that they wouldn’t be able to otherwise, due to copyright or other issues. I don’t think the licenses are capable of limiting what people can do with something if it’s already the wild west, or do I have that wrong?
Sony has already stated they are working on PC support and hope to release it this year: https://blog.playstation.com/2024/02/22/coming-soon-to-ps-vr2-zombie-army-vr-little-cities-bigger-wanderer-the-fragments-of-fate-the-wizards-dark-times-brotherhood-and-more/
Same; first time in years I’ve let it lapse and I’m realizing that I haven’t missed out on anything yet. It was really convenient when I had the higher tier for a bit there because they had a good amount of indie games I wanted to try. But I don’t have the same amount of time for gaming right now, and I would rarely finish those games anyway.
It’s heavily inspired by Chrono Trigger…heavily. It’s got dual-techs, the writing feels very similar at times, the equipment has predictable scaling as the story progresses, and lots more. The dialog is a bit saccharine for my taste; I’ve far preferred Chrono Trigger’s. Chrono Trigger has pleasant and supportive characters, but it hasn’t ever felt over the top. Sea of Stars also has some modern niceties, like timed presses for defense and offense, some interesting spell-boosting mechanics, it’s very pretty at times, etc. And it plays on jrpg tropes at times in a fun way, and didn’t feel like it overstayed its welcome. Since you love Chrono Trigger, my best guess is that I think you’d have fun with Sea of Stars. It won’t blow your mind by any means, but I don’t think you’d regret spending time with it.
I’ve started and stopped it a number of times over the past 20 years or so, and I’m finally playing it all the way through right now. At least one of those times was because I thought I HAD to fight Lavos through the bucket and thought I was expected to grind until I could defeat it lol. This time, I’ve found it really remarkable how tight it is and how well it still holds up today. Even though Sea of Stars came out last year, it feels like Chrono Trigger could have been released alongside it and it would only feel a bit more dated in some respects.
It’s a show about a retired Sam Spade, the detective from the Maltese Falcon.
It does serve as a wonderful example of exactly what they are talking about, funny enough.
Yeah, this is why I’ve urged so many people to shop around for a country like they do a job. See what country aligns with your values, with your goals, with benefits, etc. and start working to get there. You don’t have to stay miserable if you feel like your country is not where you want it to be and you’re not the one to help fix it.
A question no one has asked yet: how often are you farting and how smelly are we talking? Because there may be a diet change worth considering if you’re putting around like Chitty Chitty Bang Bang.
Yeah, I think that’s probably best, mate, if the argument is shifting towards “why does being reasonable matter?”
Mate, me asking “how much is reasonable of us to ask of one person?” is not grandstanding; that’s just me countering your point. He has used his biggest platform to address issues in the game industry before, just like you want, so my point still stands: how much is reasonable of us to ask of him? Is it his responsibility to address each issue the industry has or is it reasonable for him to pick and choose his battles?
How do you know he isn’t? This feels like what happened with Kendrick Lamar during the police violence protests a few years ago in the States. NoName calls Kendrick out for not using his voice during the protests to lead people. Photos come out of him at protests, but covered up to be unrecognizable. Then years later Kendrick releases his latest album, talking about his addiction, new children, and nearly ruining his relationship, and addresses the protest thing with a song called Mirror and says “sorry I didn’t save the world, my friend, I was too busy building mine again.”
Keighley has gone to bat for the video game industry multiple times throughout his career. He has spent a lot of energy highlighting the work of developers and what actually goes into making a game. He garnered a reputation for asking real, sometimes hard questions to AAA developers, in defense of consumers. He addressed the sexual abuse horror. How much does this dude need to do until it’s enough for us? Why are we always so determined to hang shit like this on one dude? Why are we so quick to believe that all we see is all that is happening?
Easily the most effective for me has been to develop, review, and/or do one action item off a plan to be able to leave the job and work towards something I want to spend my time working on. Knowing I have a plan, remembering it and seeing that it’s a good plan, and taking steps on that is a concrete reminder that the job I hate is temporary and I’m not stuck. That reduces the scaries significantly for me.
Then I also like to clean my place, light a scented candle, and read/watch something to make where I live feel cozy, comforting, and home-y. A reminder that even though the job is shit, I have at least built a home that I come back to. Might call a friend and talk it out too - works on both levels.
What do you do?